- Biography
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Works
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French period
- The Romaunt of the Rose
- The Boke of Duchesse
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Italian period
- The Parliament of Foules
- The House of Fame
- The Legend of Good Women
- Troylus and Cryseide
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English period
-
The Canterbury Tales
- The Plot
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The Structure
- General Prologue
- introduction of the characters, setting in time and place
- Twenty-four Tales
- Prologue and Epilogue
- Departure
- human, linked to worldly pleasures
- Destination
- Canterbury symbol of the Celestial City
- the end of life, allegory of the human life
- Journey: Allegory of the Course of Human Life
- Plan to write another cycle of tales
- The way back to London, the terrestrial city
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The General Prologue
- Meaning of the pilgrimage: event in the calendars of nature and piety
- Connotation of springtime: human beings as part of the rebirth of nature
- Connotation of the shrine
- restorative power of the saint parallels that of nature
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The characters
- A portrait of English feudal society
- Denial of social hierarchy of the time
- Individualisation and dynamism
- Importance of realistic, descriptive details
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Style
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Realism and Allegory
- realism in the medieval sense
- use of the convention of exaggeration, caricature and grotesque
- allegory
- pilgrimage as a key metaphor for life: we are all pilgrims on the way to Heaven
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Narration
- Each tale narrated by a pilgrim
- Chaucer as reporting pilgrim
- tells what he sees
- use of irony, interplay between real and unreal
- the reader
- is left to decide whether what he is reading is true or not
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Verse
- long, narrative poen in verse
- rhyming couplets, iambic pentameter
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Father of the English language
- Middle English dialect as literary language