In almost all European countries, except those whose main language is English or a Romance language, the 'German' system is used. This also uses the letters A to G of the Roman alphabet, but reserves B for the note called B flat in the 'English' system, and uses H for the note that is B natural (or just B) in the 'English' system.
pitch class
octave equivalency
Staff or Stave
staff or stave
numbering of lines/spaces
systemic barline
diastematic
Describing a musical notation in which the pitch of a note is represented by its vertical position on the page
ledger lines
The Clef Sign
clef, clef sign, clef signature
Great Staff, Grand Staff, Great Stave or Grand Stave
treble clef
bass clef
alto clef
middle C
The Treble Clef
treble clef
G clef
violin clef
E G B D F
F A C E
The Bass Clef
bass clef
F clef
G B D F A
A C E G
The Alto Clef
alto clef
viola clef
counter-tenor clef
Other Clefs
soprano clef
mezzo-soprano clef
tenor clef
baritone clef
subbass clef
French violin clef
In the seventeenth and eighteenth centuries, a special clef was used for violin music, particularly that published in France. For this reason it is known as the French violin clef, French clef or G1 clef, although it was more commonly used for flute music. Being a G clef rather than a C clef, it sets the position of the G above middle C - in this case, on the bottom line of the five line stave.
indefinite pitch clef
The Score
Why Middle C?
The naming of the notes and position of middle C arise from the way we set out our great staff. Guido d'Arezzo (c.995-1050) called the first line on the lower staff by the Greek letter gamma. The lowest note in the scale was called ut and was placed on gamma. This first note was soon called gamma ut, which contracted to gamut. At some point, French musicians began referring to the whole scale (by then an octave) as the gamut, a typical example of metonymy, the rhetorical or metaphorical substitution of a one thing for another based on their association or proximity. The term was next extended to refer to the musical range of an instrument or voice. By the seventeenth century gamut was further generalized to mean an entire range of any kind.
Guido d'Arezzo
gamut
solmization
Ut Queant Laxis
ut re mi fa sol la
hexachord
Scientific Pitch Notation
distinguishing octaves
2. Notes and Rests
Duration
duration
time value
proportional or mensural notation
The Anatomy of a Note Sign
notehead
flag
stem
placement of stem and flag
Chart of Note and Rest Signs
Dotting and Double Dotting
augmentation dot
dot
double-dotting
triple-dotting
Beams and Beaming
Ties
Origin of Music Notation
Measures and Bars
Measure and Bar Lines
bar
measure
time signature
bar line
double bar line
final bar line
bar number
rehearsal letter
3. Time Signatures and Meters
Time Signature and Meter
Time Signature
meter
beat
pulse
simple time
compound time
compound meter
divisive rhythm
Unusual Time Signatures and Hypermeasure
odd meter
hypermeasure
A hypermeasure, large-scale or high-level measure, or measure-group is a metric unit in which, generally, each regular measure is one beat (actually hyperbeat) of a larger meter. Thus a beat is to a measure as a measure/hyperbeat is to a hypermeasure. Hypermeasures must be larger than a notated bar, perceived as a unit, consist of a pattern of strong and weak beats, and along with adjacent hypermeasures, which must be of the same length, create a sense of hypermeter. The term was coined by Edward T. Cone in Musical Form and Musical Performance (New York: Norton, 1968).
Mensuration
mensuration
modus
tempus
prolatio
major
minor
Common Time & Alla Breve/Cut Time
common time
modus
tempus perfectum
tempus imperfectum
alla breve
alla capella time
cut time
Changing Time Signatures
The Whole Bar Rest
whole bar rest
multiple bar rest
Incomplete Bars
imcomplete bar
incomplete measure
anacrusis
Ametric Music
augmented rhythms
diminished rhythms
retrograde rhythms
polyrhythm/cross-rhythm
4. Tempo
Tempo Markings
metronome
tempo markings
grave
larghissimo
adagissimo
largo
larghetto
largamente
adagio
adagietto
lento
lentamente
andantino
andante
con moto
moderato
vivace
allegro
allegramente
allegrissimo
vivacissimo
prestissimo
veloce
BPM
changing the tempo
doppio movimento
accelerando, accel.
stringendo
affrettndo
incalzando
meno mosso
ritardando, rit., ritard.
rallentando, rall.
strascinando
allargando, allarg.
calando
mancando
morendo
smorzando
ritenuto, rit., riten.
piu mosso
piu moto
ritenuto
meno moto
a tempo
lunga pausa
rubato
fermata, fetura, caesura
fermata
hold
bird's eye
fetura
caesura
railroad tracks
cut-off
Dance Tempi
Aleman
Bouree
Bransle
Chaconne
Coranto/Courante
Galliard
Gavotte
Gigue
Giga
Ground
Menuet
Passacaglia
Pavanne
Rigaudon
Sarabande
Metronome Marks
5. The Keyboard
keyboard
scale
chromatic scale
flat
sharp
6. Small Intervals
The Tone and Semitone
keyboard
tone
semitone
whole step
half step
The Octave
octave
natural
double flat
flat
sharp
double sharp
The Chromatic Scale
Microtones
microtone
microtonal
quarter tone
eighth tone
comma
cent
7. Major Scales
The Major Scale
major scale
chromatic scale
key note
degree
Roman Numerals
W W H W W W H
The Tetrachord
tetrachord
combined by disjunction
The Twelve Major Scales
major scales
sharp key
flat key
natural key
Deriving Major Scales
building major scales
key signature
8. Key Signatures and Accidentals
The Key Signature
key signature
music ficta
The Circle of Fifths
circle of fifths
key signature
tetrachord
The Order of Sharps and Flats
relative major
relative minor
Enharmonics
Using Accidentals
accidental
precautionary mark
courtesy accidental
accidentals and ornamentation
Changing Key
key change
cautionary sign
inflection
compound signs
9. Minor Scales
The Natural Minor Scale
ancient minor scale
natural minor scale
Double Sharps and Flats
Harmonic Minor
haronic minor
seventh degree
leading tone
tonic
dominant chord
dominant 7th chord
tritone
Melodic Minor
melodic minor scale
Relative & Parallel Major & Minor
key note
key signature
relative major
parallel major
relative minor
parallel minor
rule of 7
rule of 12
key name
tonic major
tonic minor
10. Chromatic Scales
The Diatonic Scale
diatonic
chromatic
The Chromatic Scale
The Harmonic Chromatic Scale
naming rules
The Melodic Chromatic Scale
naming rules
11. Intervals
Degrees of the Scale
tonic
supertonic
mediant
subdominant
dominant
submediant
subtonic
leading tone
degree
Melodic & Harmonic Intervals
melodic interval
harmonic interval
Unisons and Octave
dyad
unison
octave
perfect unison
perfect prime
augmented unison
augmented prime
diminished unison
Some theorists do not allow the diminished unison because the C flat lies below the C natural and this breaks the rule that all dyadic intervals are named from the lower note.
Diatonic Intervals
perfect intervals
major intervals
minor intervals
Chromatic Intervals
doubly diminished
diminished
augmented doubly
augmented
quality of intervals
The Tritone
tritone
diabolus in musica
consonance by circumstance
Compound Intervals
Inversion of Intervals
inversion
rule of 9
12. Note Groupings
Simple & Compound Time/Meter
simple time
simple meter
compound time
compound meter
Uneven/Asymmetrical Time/Meter
Triplets
irrational rhythm
triplet
Duplets
Other-lets
irregular divisions
Grouping Notes and Rests
beaming
13. Triads & Chords
Concord and Discord
music
noise
concordant
discordant
consonance
dissonance
form
function
perfect consonances
unison
P5
octave
imperfect consonances
M3
m3
m6
M6
dissonances
2nds
7ths
Triads
triad
Roman Numerals
primary triad
secondary triad
major triad
minor triad
augmented triad
diminished triad
close position
open position
Diatonic Triads
Chords
chords
seventh chord
dominant chord
Chords in Jazz
Broken & Spread Chords
broken chord
spread chord
arpeggio
14. Chords in Detail
Chords: Structure vs. Function
structural
functional
naming seventh chords
Seventh Chords
major seventh chords
minor seventh chords
dominant seventh chords
minor seventh flat five chord
fully diminished seventh
half diminished seventh
augmented major seventh
augmented minor seventh
minor major seventh
Dominant Seventh Chord
Naming Seventh Chords
Inverted Chords
Slash Chords
Extended Chords (9th, 11th, 13th)
Special Chords
power chords
sus2 chords
sus4 chords
add2 chords
add9 chords
aug 5th & dim 5th chords
augmented sixth chords
Italian 'augmented' sixth chord
French 'augmented' sixth chord
German 'augmented' sixth chord
six/nine chords
polychords
15. Figured Bass
Figured Bass
thorough bass
realization
basso continuo
Figured Bass Notation
5 3
6 3 or 6
6 4
accidental under note
line through number
accidental under number
accidental beside single 6
accidental beside number
horizontal line after number
7 or 8 or 9
6 5
4 3
4 2
Naming Chords With Roman Numerals
Roman numeral figuring
16. Transposition
Transposition at the Octave
Transposition into another Key
What key Is My Instrument In?
key of
instrument
concert pitch
Transposing Instruments
transposing instrument
concert pitch
written pitch
sounding pitch
17. Rhythmic Variety
Rhyrhmic Modes
iamb
anapest
trochee
dactyl
amphibrach
pyrrh
tribrach
spondee
Anacrusis
anacrusis
pick-up
up-beat
Syncopation
syncopation
off the beat
Dotting & Double Dotting
Hemiola
hemiola
cross-rhythm
Swing
Rhythmic Syllables
18. Phrasing & Articulation
Slur & Phrase
rhythmic structure
strong beat
medium beat
weak beat
phrase
slur
Tenuto & Staccato
tenuto
staccato
mezzo-staccato
staccatissimo
Slurs & Staccato
slurred staccato
portato
articulated legato
Variety of Accents
staccato accents
staccatissimo accents
normal accents
strong accents
legato accents
Articulation on Wind Instruments
Articulation on Stringed Instruments
bowing terms
Articulation & Phrasing on Percussion Instruments
Piano Pedalling
Dynamic Markings
fortissimo
forte
mezzo forte
mezzo piano
piano
pianissimo
ffff, fff, ppp, pppp
forte piano
crescendo
decrescendo
diminuendo
marcato
sforzando
sforzandano piano
forzando
rinforzando
calando
incalzando
con sordino
dolcissimo
leggiero
pacato
mancando, morendo
martellato
mezza voce, sotto voce
senza sordino
tacet
tutta forza
una corda
General Musical Markings
a
a capella
a capriccio
accelerando
ad libitum
affettuoso
agitato
alla
alla breve
allargando
amabile
amoroso
ancora
animato
a piacere
appassionato
arioso
arpeggio
assai
ben, bene
brillante
cadenza
calando
cambiare
cantabile
chiuso
col, colla
come
comodo
con
con brio
con dolore
con forza
con fuoco
con giusto
con passione
con spirito
crescendo
dal
decrescendo
decisivo
delicato
diminuendo
dolce
dolente
doppio movimento
e, ed
e poi
espressivo
facilmente
feroce
fine
furioso
giocoso
grandioso
grazioso
il, la
impetuoso
lacrimoso
lamentoso
largamente
legato
leggiero
lusingando
ma
maestoso
mancando
marcato
mertellato
marziale
meno
meno mosso
mesto
mezzo
misterioso
molto
morendo
nobilmente
non
ossia
parlando
parlante
pateticamente
perdendosi
pesante
piacevole
piangevole
piu
pizzicato
placidamente
pochetto
poco
poco a poco
poi
pomposo
quasi
rallentando
religioso
replica
risoluto
ritmico
rubato
scherzando
secco
sempre
semplice
senza
serioso
simili
sino al
slargando
slentando
smorzando
soave
solennemente
sonore
sordino
sostenuto
sotto voce
spiccato
spiritoso
stentando
strepitoso
stringendo
subito
sul
suono
tanto
tempo primo
tempo rubato
teneramente
tenuto
tessitura
tosto
tranquillo
tremolo
troppo
tutti
un poco
vibrato
vigoroso
vivo
19. Chords & Cadences
cadences
harmonic cadence
turnaround
melodic cadence
rhythmic cadence
textural cadence
form & cadence
Perfect Cadence
Plagal Cadence
Imperfect Cadence
Interrupted/Deceptive Cadence
The 'Six-Four' Cadence
Feminine Endings
Antecedent & Consequence
20. Ornamentation
Ornamentation
Interpretation
Grace Notes
grace note
appoggiatura
acciaccatura
Turns
Trills
trill
preparation
prefix
shake
termination
unprepared
prepared
vocal trill
Mordents
mordent
inverted mordent
upper modent
lower mordent
long mordent
double mordent
Vibrato
Arpeggiation
21. Repeats
Repeated Notes
Repeated Groups
Repeated Bars
Repeated Whole Bar Rests
Repeated Sections
Da Capo
Minuet & Trio
22. Notes, Harmonies & Scales
Origin of Diatonic and Chromatic Scales
monochord
Pythagoras
interval
lyre
Modes
Dorian
Phyrgian
Lydian
Mixolydian
Aeolian
Locrian
Ionian
our major scale
Jazz Scale
Blues
Bebop Scales
Pentatonic Scales
The 'Minor Key' Problem
Altered Chords
Neapolitan Sixth
Symmetrical Scales
whole tone scale
diminished scale
dominant diminished scale
Non-Harmonic Tones
passing tones
neighboring tones
appoggiatura
escape note
suspension
retardation
anticipation
pedal note
auxiliary note
neighbor group
23. Harmonic Functions
What are Harmonic Functions?
The Tonic
The Dominant and Subdominant
The II and VII Degrees
The III and VI Degrees
Harmonic Functions in Minor Keys
Harmonic Analysis
Nonharmonic Tones
Passing Tone
Neighbor Note
Suspension
Anticipation
Appoggiatura
Secondary Dominants
Modulation
The Dominant Chord
The Pivot Chord
Modulation to Distantly Related Keys
Augmented Sixths
Neapolitan Sixth
24. Score Formats
Instrumental Ensembles
orchestral layout
brass quintet layout
band layout
woodwind quintet layout
Solos & Parts
Keyboards
Percussion
How to Write Parts for Transposing Instruments
Sounding Range & Clefs of Orchestral Instruments
25. Pitch, Temperament & Timbre
Pitch
History of Musical Pitch
A Brief History of Musical Tuning
Physics of Musical Instruments - A Brief History
Harmonic or Overtone Series
harmonics
fundamental
overtones
Inharmonicity
inharmonicity
The degree to which the frequencies of overtones (known as partial tones or harmonics) depart from whole multiples of the fundamental frequency.