-
Characteristic
-
Intensity
-
emotional
- Feelings of grandeur, awe, movement and tension
- religious depictions
-
explosive and depicts dramatic motion
- whirling visuals and tension that pulls on its compositions
-
sharp divergence from the serene
- classical compositions of the previous Renaissance and Mannerist movements
-
Chiaroscuro
- hidden sources of light
-
dramatic contrasts of lights and dark shadow
- depict depth
- three-dimensionality
- a sense of drama
-
intense contrast between light and dark
- with the light coming from a specific point
-
Origins
-
arose mainly as a means to promote the Catholic Church
-
Catholic Church commissioned art in the Baroque style
-
to retain followers
- during the Protestant Reformation
-
drastic contrast to the austere, stark and boring Protestant religion
- stir awe and emotion with new art style
- making Catholicism the better option
-
emphasizes faith in church
- power in state
- a propaganda tool for the Catholic Church
-
Architecture Styles
-
works illusionistic & contorted
-
played with trompe l’oeil
- various contrasting textures
- blending of painting and architecture
-
materials
- example : bronzes, gildings, plaster, marble, stucco
- extremely use of ornaments
-
broader, occasionally circular forms
- to replace long, narrow naves
- large-scale ceiling frescoes
-
dramatic use of light
-
strong light-and-shade contrasts
-
chiaroscuro effects
- example : church of Weltenburg Abbey
-
uniform lighting
-
means of several windows
- example : church of Weingarten Abbey
-
central Focal point in architecture
-
entrance axis
- points to a central axis
-
external facade
- characterized by a dramatic central projection
- example : church’s altar is usually the central focus in Baroque architecture
-
created around the altar
- draws awe-inspiring attention to centre point
-
Definition
-
cultural and art movement
- emphasizes dramatic
- exaggerated motion and clear
- easily interpreted
-
c. 1600-1750
-
begin in Rome
- early 1600s
-
spread throughout Europe
- 17th and 18th centuries
-
Baroque comes from the Portugese word
- Barroco
- irregular pearl or flawed stone
-
Sculpture
-
sense of freedom
- combine and create what they think of
-
free to combine different materials
- within a single work
- used one material to simulate another
-
distinctive features of baroque statues
-
the use of more than one block of marble
- allowing a large array of gestures
-
treatment of drapery
- does not fall in an ordinary way
- moved by a sort of wind
-
use of variegated / colored marble
- or different marbles
- torsion of a very often tall and slim body
-
Differences
-
style
-
Baroque style
- exudes masculine energy and presence
-
Rococo art
- more demure, very beautiful, feminine aura
-
subject matter
-
Baroque style
-
depicts religious themes
- mainly Christian
-
depicts biblical figures and stories
- with intense accuracy
-
example : public buildings such as churches and other religious sanctuaries
- to imbue a sense of wonder
- to the structures and entice followers
-
Rococo art
-
non-religious means
- deeply rooted in secular culture
- focuses on
- secular themes
- leisurely times
-
depict love stories
- sexually charged escapades
- classical mythology
-
Similarities
- opulent decoration and aesthetically pleasing visuals
-
ornamental and very decorative
- but Rococo on a much more slender scale
-
Furniture
-
characteristic
- twisted columns
- ornate details
- foreign or domestic woods
- heavy gilds of varying metals
- create a harmony of movement and singularity
-
inspired by the Asian decorative techniques
- brought back to Europe
- by Dutch, Portuguese, English traders and explorers
-
combined these new techniques
- with Renaissance
- satisfy the needs and wishes of customers