1. The situation
   1. In-house engineer's perspective
   2. Touring engineer/band's perspective
   3. Prior to the show
   4. The day of the show
2. Your equipment
   1. FOH sound system
   2. Monitor system
   3. Mics
   4. FOH mixing system
   5. Outboard equipment
3. Musical Theatre shows
   1. The Ethos
   2. Sound design as opposed to sound engineering
      1. Sound coverage
      2. Centre fills
      3. 'Spot' speakers
      4. Using delay for focus
   3. Personal radio mics
      1. Getting organised
      2. Frequency mapping
      3. EQ'ing
   4. Sound effects
      1. Sourcing
      2. Constructing
      3. Editing and tidying up
      4. Routing
      5. Control, software
         1. SCS
         2. QLAB
         3. Ableton Live
   5. Scenes
      1. Digital console
      2. Analogue console
4. Outboard equipment
   1. Graphic EQ
      1. AB1.10 The Frequency Spectrum and 31-band Graphic EQ.pptx
   2. Dynamics
      1. Compressors
         1. AB1.24 Compression expansion and limiting.pptx
      2. Noise Gates
         1. AB1.25 Noise Gates.pptx
   3. Effects
      1. Reverb
      2. Delay
      3. AB1.41 Inserted and Aux effects.ppt
5. Mixer facilities
   1. Pre-amp
      1. Low cut or HPF
      2. Phase invert
      3. Input gain
      4. AB1.44 Input controls and PFL.pptx
   2. EQ
      1. Shelving
      2. Parametric
      3. AB1.26 The main types of EQ.pptx
   3. Auxilliary sends
      1. Pre-fade
      2. Post-fade
      3. AB1.33 Pre & Post-Fade Aux - Inserts.ppt
   4. Sub groups
      1. AB1.45 Sub and mute groups.pptx
6. Basic principles
   1. Typical sound system architecture
   2. Balanced and unbalanced cables. DI Boxes
      1. Balanced and unbalanced cables - DI boxes.pptx
   3. Phantom power
   4. Zoning the stage
   5. Stereo for its own sake